2. Laura Veirs – The Lookout
You know how Harvest Moon is only, like, the ninth or tenth best Neil Young album, and for sure one of his least ambitious, but there are certain times – I’m thinking Sunday at twilight, sitting on the porch and sipping an adult beverage as the sun sinks below the horizon—when its gentle country-folk ditties are all you want to hear? That thought came to mind as I was getting to know The Lookout, the latest solo outing by Colorado singer-songwriter Laura Veirs. Not just because gentle country-folk is well-represented here, by “Seven Falls,” “The Canyon,” and several other exquisitely crafted songs. (Though a few, such as “Watch Fire,” which features feathery counterpoint vocals by Sufjan Stevens, skirt the edges of indie-pop.) It’s also because, while this is most assuredly not the hippest album of 2018 – Veirs is the kind of lyricist who is unafraid to pen a sentimental line like “Man alive, I’m glad I found you” – I can’t think of one that sounds lovelier. Continue reading
8. Neko Case – Hell-On
Indie rock hero Neko Case is one of our most fearless songwriters. She seemingly has no qualms about laying bare her soul on each album she puts out, and her no-bullshit vocals drive the emotional honesty home. She’s also rather prolific, having released six previous solo efforts as well as collaborations with the Canadian bands New Pornographers and the Sadies. (My favourite project in her extensive discography remains 2016’s case/lang/veirs, a gorgeous and strikingly simpatico pas de trois with k.d. lang and Laura Veirs, both of whom contribute backing vocals here.) The sheer volume of her repertoire combined with her artistic daredevilry has resulted in a laudable but inconsistent body of work – as much as I’ve liked some of her albums, I can’t name one that I would call brilliant from first cut to last. Her latest is no exception, but it’s quite worthwhile nonetheless. Continue reading
After two consecutive annual lists that have been mired in mellow indie rock, I’m happy to report that my picks for the best albums of 2018 are a bit more diverse – soul, folk, rafter-shaking arena rock, and even dubstep are represented, as are venerable masters and young guns. This year’s winners are also, as in the past, testaments to the art form. With one or two arguable exceptions, they hang together as cohesive works and are meant to be listened to in their entirety, from beginning to end. And not just these, but other worthy runners-up by Beach House, Fantastic Negrito, the 1975, and Christine and the Queens. 2018 really was an embarrassment of riches musically.
5: Shelby Lynne & Allison Moorer – Not Dark Yet
Separately, sisters Shelby Lynne and Allison Moorer have forged enduring careers in country music— Moorer has released 10 albums, Lynne 15. But they haven’t gotten around to recording together in earnest until now. Their first full-length collaboration is a superb collection of covers that runs the gamut from comfort-zone picks by Merle Haggard and the Louvin Brothers to surprising curveballs by Nick Cave, the Killers, and Nirvana. In a close race, the cover to beat is the Bob Dylan-penned title track. Taken from the 1997 late-career masterpiece Time Out of Mind, Dylan’s hushed ode to creeping mortality is handled with tender loving care by the siblings and an ace backing band that includes Tom Petty and the Heartbreakers’ keyboardist Benmont Tench. The most unexpected cover, Nirvana’s “Lithium,” is also the one that doesn’t quite work. While Lynne and Moorer get points for thinking outside the box, the comparatively tame country arrangement lacks the grunge trio’s dynamic punch and Kurt Cobain’s singular genius-stoner delivery. The one original song here, “Is It Too Much,” written by Lynne, is a haunting meditation on the weight of pain and loss that is wrested from the gloom by the sisters’ rapturous harmonizing. Here’s hoping for many more collaborations to come.