7. The Lemon Twigs – Go to School
I remember, way back in the mid-1980s, playing the debut album by They Might Be Giants for a former roommate, a semi-Goth type with a fondness for the gloomier realms of rock music. He balked at the wackiness of such songs as “Put Your Hand Inside the Puppet Head” and was downright offended by the use of accordion. “In 10 years, are you still going to be listening to this?” he scoffed. The joke was on him because TMBG has endured. Heck, “Istanbul (Not Constantinople)” alone has secured a lasting place in the pop pantheon, and the duo just recently released its 21st studio album. Will the career of the Lemon Twigs, another zany twosome from New York, be as long-lasting? Brothers Brian and Michael D’Addario, only 21 and 19, respectively – more millennials! – certainly have grand ambitions, and the talent to go the distance. Continue reading
Indie rock hero Neko Case is one of our most fearless songwriters. She seemingly has no qualms about laying bare her soul on each album she puts out, and her no-bullshit vocals drive the emotional honesty home. She’s also rather prolific, having released six previous solo efforts as well as collaborations with the Canadian bands New Pornographers and the Sadies. (My favourite project in her extensive discography remains 2016’s case/lang/veirs, a gorgeous and strikingly simpatico pas de trois with k.d. lang and Laura Veirs, both of whom contribute backing vocals here.) The sheer volume of her repertoire combined with her artistic daredevilry has resulted in a laudable but inconsistent body of work – as much as I’ve liked some of her albums, I can’t name one that I would call brilliant from first cut to last. Her latest is no exception, but it’s quite worthwhile nonetheless.
In the