4. Parquet Courts – Wide Awaaaaake!
On paper, the sixth outing by critically adored Brooklyn band Parquet Courts doesn’t seem to support the argument for the album as a cohesive art form. It careens in nearly as many musical directions as there are tracks, kicking off with the Clash-like call to arms “Total Football” before swerving from Pink Floyd-scented psychedelia (“Mardi Gras Beads”) to bass-heavy disco-funk (“Wide Awake!”) to cinematic ‘60s pop (“Death Will Bring Change”) along the way. Yet perhaps more than any other album on my best-of-2018 list, it needs to be absorbed as a whole. Heard out of context, the frenetic verbal onslaught of the second track, “Violence,” might give the impression that the four group members are overly caffeinated, earnest-to-a-fault art-punks. (A random scan of previous releases would likely not dispel this notion.) Likewise, on its own, the mellow-rockin’ “Freebird II” might peg them as a Modern Lovers tribute act with a secret fondness for Lynyrd Skynyrd. But as produced by Danger Mouse, who has worked with artists as disparate as the Black Keys, Norah Jones and ASAP Rocky, it all sounds strangely of a piece. Continue reading